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“I have an original 909 – every time I use it I feel like I’m ruining it”: Riva Starr's studio essentials
By Si Truss published
The prolific Italian house and techno producer shows us the gear behind Keep Me on the Dancefloor

“I feel like that song had everything we needed to come back with”: Bring Me The Horizon’s Lee Malia on Shadow Moses, its riff and the secrets behind its tone, and why it was the right anthem at the right time
By Jonathan Horsley published
How Terry Date, a killer riff and a videogame helped bring BMTH's major label debut into focus with a track that officially opened a new chapter – and the pit – for the Sheffield metal frontiersmen

How Johnny Cash drew on his own experiences to make his greatest songs
By Andy Price published
The Man in Black comes under our spotlight as we break down his take on the creative process

South Arcade on how they became the figureheads of a growing Y2K revival
By Andy Price last updated
From trending on TikTok to sparking a retro renaissance, South Arcade explain why they want to wind the clock back to 2005

“It was originally called Everybody Wants To Go To War”: How Tears For Fears made an ’80s mega-hit
By Neil Crossley published
It all started with two simple, chimey chords...

How a feat of spontaneous creativity resulted in one of Pink Floyd’s most majestic moments
By Andy Price published
A gentle meditation on mortality was brought to passionate life thanks to one woman’s improvised vocal

How an explosive 2001 switch-up revealed just how ferocious Muse could get
By Andy Price published
The juggernaut of a riff proved Muse’s mettle, setting the stall for a stadium-filling future

Bon Iver - ranked: from Sable, Fable to For Emma, Forever Ago
By Matt Mullen published
As Justin Vernon releases an unexpectedly buoyant fifth album, we chart his path from backwoods crooner to indie-pop icon

The Curse of Coachella: Bad sound, bad gigs and even worse audiences
By Daniel Griffiths published
As the big gig in the middle of nowhere wraps with the usual storm of complaints and controversy, we take a look at why it's become the place where gigs go wrong

"With The Clash I used to put toilet paper in my ears": Steve Levine talks 50 years in the business
By Daniel Griffiths published
He’s worked with a list of artists that reads like an A to Z of hitmakers. And now, with a new plugin, you can get your hands on his signature sound
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