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How a feat of spontaneous creativity resulted in one of Pink Floyd’s most majestic moments
By Andy Price published
A gentle meditation on mortality was brought to passionate life thanks to one woman’s improvised vocal

“The Ditto 2 is an evolution, not a revolution”: TC Electronic Ditto 2 Looper review
By Alex Lynham published
The original Ditto redefined both bang for buck and 'board space. So what's new with the Ditto 2?

Mythos and That Pedal Show team up for the Argo Boost Deluxe – an octave fuzz with switchable boost
By Jonathan Horsley published
Who couldn't use a COB-style octave-fuzz and boost with a bright red dial for the boost?

This deep dive into a classic Beatles song reveals 4 synth parts that we’d never even noticed before
By Ben Rogerson published
Anthony Marinelli’s video might change the way you listen to George Harrison’s ode to sunny positivity

Best MIDI keyboards for beginners 2025: Entry-level controllers for those starting out in music production
By Andy Jones last updated
Get producing your own music with my pick of the best MIDI controller keyboards for beginner musicians

“I saw these banners: ‘SAMMY SUCKS!' 'WE WANT DAVE!’”: How Sammy Hagar and Van Halen won their war with David Lee Roth
By Paul Elliott published
An epic rock battle began 40 years ago
![Chris Hayes [left] wears a purple checked shirt and plays his 1957 Stratocaster in the studio; Michael J. Fox tears it up onstage as Marty McFly in the 1985 blockbuster Back To The Future.](https://cdn.mos.cms.futurecdn.net/nWZUSbFAwA6EqQdruLmXXh.jpg)
How Chris Hayes wrote Huey Lewis and the News’ Back To The Future hit Power Of Love in his pyjamas
By Jonathan Horsley published
The Power Of Love scored Huey Lewis and the News their first number one and an Oscar nod but as Hayes remembers it he just “threw together” the guitar parts from the comfort of his couch

“I was a bit taken aback by how big a deal it was”: Noel Gallagher speaks about Oasis ticket chaos
By Will Simpson published
Plus he names his four favourite Oasis songs

Uli Behringer speaks out on Behringer's pricing strategy: "Our competitors say 'how much could I charge and get away with it?' We take the cost, add a small margin and that's the sale price"
By Matt Mullen published
"In many cases, we build synthesizers and there is no commercial incentive behind it. In some cases we even lose money - it doesn't matter"
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