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“The flute just looked nice and shiny!”: How Jethro Tull's Ian Anderson became rock’s leading one-legged flautist
“At first I couldn’t get a note out of it,” he said
How an explosive 2001 switch-up revealed just how ferocious Muse could get
The juggernaut of a riff proved Muse’s mettle, setting the stall for a stadium-filling future
“Let them wallow in Walt Disney woke expectations”: John Lydon’s message to the reformed Sex Pistols
“I am the Pistols, and they’re not,” he says
“Entrance Song is a massive 808 sub and a 909 kick. Those two shouldn’t work together - I’m not sure they were even in key”: Eats Everything on his ever-changing approach to production and DJing
We visit Dan Pearce in the studio to hear about his new project We Lost Ourselves and Found a Family and dig deep into the studio techniques behind some of his biggest tracks
“Turns out they weigh more than I thought”: Mark Ronson injures himself trying to move a stage monitor
But he manages to finish his set
"An already incredibly capable product that keeps on finding ways to surprise us at every turn": Roland SP-404 MKII review
UPDATED: read our thoughts on the latest v5.0 OS update of this modern cult classic
“Stealing the work, art and livelihoods of songwriters”: Suno AI warned over its ‘lyrics generator’
ReMi tool regurgitates lyrics to existing copyrighted songs
Bill Burr told Eddie Vedder that he hated Pearl Jam because they “knocked out” ‘80s hair metal
“When Pearl Jam came, that was another one of those grunge Seattle bands. And that’s when I was like, ‘Oh my God. This isn’t ending”
![James Hetfield [left] and Kirk Hammett harmonise solos as they perform live with Metallica in 1988. Hammett plays a Jackson Rhodes, Hetfield has his trusty white Explorer.](https://cdn.mos.cms.futurecdn.net/mpZgd7e7YSCLwb7LuqPpbi-840-80.jpg.webp)
