Latest articles by Roland Schmidt
“Boundless amounts of creativity in the smallest of footprints”: Waldorf Iridium Core Desktop review
Waldorf’s latest desktop synthesizer shrinks the groundbreaking Iridium to its Core element. We push the button
How to design a bass sound using phase distortion synthesis
In the first of a new series exploring Computer Music's Plugin Suite, we prove that phase distortion synthesis doesn’t have to be perplexing, using the mighty BazilleCM
“A brilliant facsimile which has some serious depths in its detail”: Cherry Audio PS-3300 review
Cherry Audio’s latest software adaptation recreates a mythical beast, Korg’s PS-3300. We go hands-on with a legend reborn
“Like having the greatest hits of synths on speed-dial”: UVI Synth Anthology 4 review
From the very old to the über new, UVI’s latest library has been collated with care. We blow off the dust on some classics
“The next best thing to a ‘real’ OB”: GForce Software OB-X review
First they brought you Vintage Synth Trumps, now GForce add this bona fide classic to the fold
How to design a gated synth sequence
Adding motion to a characterful synth pad can completely revitalise your track. We take two LFOs and get modulating
How to design a funky synth patch that sounds like the Clavinet
Recreate the distinctive sound of the Clavinet, a keyboard favoured by everyone from Snarky Puppy to Stevie Wonder
How to design a 'glide and rise' lead synth patch
Creating an interesting synth lead for an arpeggiated hook in your track isn’t difficult. We just glide ’n’ rise!
How to design a tape-inspired string synth patch like Moby's Porcelain
When you want a hint of vintage, but you’re keeping things contemporary, try programming this tape-inspired string synth sound
