Roland Schmidt
Roland Schmidt is a professional programmer, sound designer and producer, who has worked in collaboration with a number of successful production teams over the last 25 years. He can also be found delivering regular and key-note lectures on the use of hardware/software synthesisers and production, at various higher educational institutions throughout the UK
Latest articles by Roland Schmidt
"The importance of scales cannot be understated": How to easily grasp scale theory
By Roland Schmidt published
How to get a handle on scale theory
How to understand rhythm when reading music
By Roland Schmidt published
Establishing rhythm in your sheet music is just as important as dictating pitch
The quick guide to reading music
By Roland Schmidt published
We go back to basics and make a pitch for reading music. Here's the first part of a new series
“An amazing sounding product, and very capable thanks to its augmentation in operation, geared towards ultimate creativity”: GForce Oberheim OB-1 review
By Roland Schmidt published
Reuniting an Oberheim gem with its family soul mates, GForce resurrects another lesser-seen classic. We audition its credentials as a sonic force for good
How to become a master of melodies
By Roland Schmidt published
"It's what the overwhelming majority of us listen to first and foremost"
“A flexible and impressive compendium that extends way beyond just jazz”: Toontrack SDX The Jazz Sessions review
By Roland Schmidt published
Combine a legendary engineer with a background in jazz, with an equally legendary studio, and the results could be the rebirth of the Cool. We hit the jazz pocket
“It sounds just like an original, while being simple to use, and easy to control from within your DAW”: Roland Space Echo RE-201 Plugin review
By Roland Schmidt published
If you want to send your mixes to the outer limits, we’ve got the perfect plugin for you. Listen out for echoes from Space
“A pretty addictive set of effects, with use that ranges from the more commonplace to experimental and avant-garde”: UVI Tape Suite review
By Roland Schmidt published
If you go loopy for tape-based effects, UVI has something new that’ll get your capstans whirring. We dust off our VHS and Cassette collection
“It feels incredibly authentic at the base-sample level, and provides vast potential which extends way beyond its original use by rock bands”: Cherry Audio Wurlybird 140B review
By Roland Schmidt published
If you’re after an iconoclastic electric piano, Cherry Audio has a new vintage classic in store. We take off with the new Wurlybird!
“A hugely versatile and impressive package at the sonic level… But the player may put professionals off”: Spitfire Audio Abbey Road Orchestra Symphonic Strings Professional review
By Roland Schmidt published
After much anticipation, a full symphonic string section finally gets the professional Spitfire treatment, courtesy of Abbey Road Studios. We head for the famous zebra crossing
“Has Oberheim running through its samples, like a stick of rock!”: GForce Software Oberheim DMX review
By Roland Schmidt published
If the beginning of your week feels like a Blue Monday, then take a Walk This Way…
“A unique-sounding synth plugin to create absorbing sounds and textures”: Expressive E Noisy 2 review
By Roland Schmidt published
Expressive E brings us a new software instrument that will undoubtedly excite and resonate. We make a racket!
How to make a searing lead synth patch with GForce Axxess
By Roland Schmidt published
It’s time to turn up the heat and Axxess a spicy lead
“About as complete as a cinematic drum library can be”: Orchestral Tools Monolith review
By Roland Schmidt published
To create a soundtrack of epic proportions, you’re going to need a percussion library on a grand scale. We scale the Monolith
“Sounds every bit like a vintage string machine, and far more besides”: GForce Software VSM IV review
By Roland Schmidt published
This updated VSM continues to prove that strings are very much the thing! We swot up on our virtual string theory
“Its versatility in use, coupled with huge levels of programmability, make it a must-have”: Cherry Audio Chroma review
By Roland Schmidt published
If you’re after a colourful new synth, Cherry Audio has something that covers the whole spectrum. We look through the prism
“Provides enormous variety and tonal colour, applicable to a diverse set of musical placements”: EastWest Sounds Hollywood Strings 2
By Roland Schmidt published
LA’s finest is back for a long-awaited cinematic sequel. We audition EastWest’s new string-based nod to tinseltown
“It makes complex time-based effects a total breeze”: Arturia EFX Motions review
By Roland Schmidt published
Creating movement in your productions is a challenge, but it looks like multiple real-time EFX just got a whole lot easier
“Attractively priced and highly usable, it’s about as good as it gets for an orchestral library”: Spitfire Audio Spitfire Symphony Orchestra review
By Roland Schmidt published
Harnessing the power of a full symphony orchestra just became even more affordable. We consider our next magnum opus
“This impressive bundle supplies extensive sonic interest”: Kilohearts + Expressive E Phase Plant Expressive Suite review
By Roland Schmidt published
Take an award-winning synth, add a set of new MPE-controlled sounds, and the Expressive possibilities are endless
“A sizeable upgrade which goes a considerable way beyond basic pitch correction”: Antares Auto-Tune Pro 11 review
By Roland Schmidt published
Thought pitch correction was merely about tuning adjustment? Antares might force you to rethink your tactics
How Logic 11's ChromaGlow can bring analogue-inspired drive and warmth to your Logic projects
By Roland Schmidt published
Follow this step-by-step tutorial for Logic's new native saturation plugin, ChromaGlow
“A unique synthetic and vocal powerhouse”: Void and Vista Folds review
By Roland Schmidt published
Don’t stare into the Void… seek inspiration from a new Vista. We unfold the latest from the London-based pioneers
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