Neil Crossley
Neil Crossley is a freelance writer and editor whose work has appeared in publications such as The Guardian, The Times, The Independent and the FT. Neil is also a singer-songwriter, fronts the band Furlined and was a member of International Blue, a ‘pop croon collaboration’ produced by Tony Visconti.
Latest articles by Neil Crossley
How Joni Mitchell embraced the formidable personality and talent of bass virtuoso Jaco Pastorius
By Neil Crossley last updated
“He pointed to his rental amp and said, ‘I'm not playing through that piece of shit’. So he took mine”
How Mick Taylor joined the Rolling Stones and brought a level of virtuosity to the band not seen before or since
By Neil Crossley last updated
"We used to fight and argue all the time"
Did George Harrison contribute to more Beatles songs than he is given credit for?
By Neil Crossley published
"I think in the balance I would have had more things to be niggled with him about than he would have with me"
How Lindsey Buckingham took Fleetwood Mac on a creative left-turn on Tusk
By Neil Crossley published
“A noisy, bouncing fuzz-monster that makes no kind of sense in the universe of mainstream 70s radio pop” – but is Fleetwood Mac's flop a misunderstood masterpiece?
The Bob Dylan album that helped change country music
By Neil Crossley published
On his last studio album of the '60s, Bob Dylan embraced country music and unveiled a surprising new vocal style
The Carpenters' Goodbye To Love and the magic of Tony Peluso's guitar solo
By Neil Crossley published
"Ninety-nine percent of that solo was done on the first take"
“By far, the most stressful day of my entire life": The unexpected story of This Guy's in Love With You, the Bacharach and David classic that reduced Noel Gallagher to a nervous wreck
By Neil Crossley published
How a sublimely dreamy, easy-listening love song captured the collective minds of middle America during one of the nation’s most turbulent years
"Songwriting for me, at the time of Rubber Soul, was a bit frightening because John and Paul had been writing since they were three years old": How The Beatles raised their game in 1965 to create a masterpiece that "broke everything open"
By Neil Crossley published
The Beatles' sixth album Rubber Soul was a colossal creative leap and marked the point at which albums began to be viewed as works of real artistic merit
“Every time I opened a music paper it said, ‘Johnny Marr – jingle jangle’. I'd just had enough”: How The Smiths defied expectations on their final album, Strangeways, Here We Come
By Neil Crossley published
Johnny Marr and Morrissey’s relationship may have crumbled during its creation, but The Smiths’ final album is regarded by many as their best
“We did turn a corner. But it must have been the biggest corner in the universe, ‘cos it took ages to turn it”: Inside the protracted creation and glorious guitar work of The Stone Roses' Second Coming
By Neil Crossley published
It took the band 347 ten-hour days in the studio to produce 75 minutes of music, but the definition of difficult second album saw a darker Zeppelin-esque Les Paul-toting John Squire emerge
“My God, it’s hard to get in tune when they’re booing": when Bob Dylan faced down his detractors with a Strat and made rock n' roll history
By Neil Crossley published
In 1965, Bob Dylan strapped on a Stratocaster, then a Telecaster, and ushered in a bold new folk-rock sound. But he'd actually gone electric six months earlier…
"If you absolutely hated Stairway to Heaven, nobody can blame you for that because it was so… pompous": The glory and burden of Led Zeppelin's Stairway To Heaven, over half a century on
By Neil Crossley published
In early 1970 Jimmy Page had a concept for an epic song that “would unravel in layers as it progressed”. More than five decades on, Stairway To Heaven still has a hold on its writers and the world
How Radiohead redefined the role of guitar on their landmark album Kid A: "It's scary – everyone feels insecure. I'm a guitarist and suddenly it's like, well, there are no guitars on this track, or drums"
By Neil Crossley published
Disillusioned with rock music, Radiohead turned to electronica and ambience as Ed O’Brien forged a whole new six-string sound
The making of Tom Petty's Full Moon Fever: "George Harrison went to the store and bought a ginger root, boiled it and had me stick my head in the pot to get the ginger steam to open up my sinuses. Then I ran in and did the take"
By Neil Crossley published
More than 33 years after its release, Tom Petty's solo debut is still making headlines thanks to Grand Theft Autio 6. We dig into the creation of a classic album
The story of Fairytale Of New York: “I sat down, opened the sherry, got the peanuts out and pretended it was Christmas…"
By Neil Crossley published
At this time when the music world is mourning the loss of Shane MacGowan, MusicRadar looks back on one of his most enduring and beloved achievements
"Even before we got to the day of the show, there was a ‘concern’… a concern with Liam" – the story behind the farce and the glory of Oasis’s infamous 1996 MTV Unplugged performance
By Neil Crossley published
Riding high after playing to 250,000 people at Knebworth, Oasis set about rehearsing for a very different kind of show – an intimate MTV Unplugged performance from the Royal Festival Hall. But within days, it was clear all was not going to plan…
The story of Rory Gallagher's Rolling Stones audition: "All of the music papers were full of speculation. It's a bit like when the Pope dies and you get pictures of all these people who might succeed him"
By Neil Crossley published
Stunned by the sudden departure of Mick Taylor, The Rolling Stones spread the net far and wide in their search for a suitable replacement. One of the players high up on their list of possibles was Rory Gallagher
An introduction to Jeff Buckley: "I would listen to anything: The Beatles, Bob Dylan, Jimi Hendrix, Joni Mitchell, Judy Garland, Robert Johnson, Thelonious Monk, Bartok, Mahler. And I asked a lot of questions"
By Neil Crossley published
From his soaring, unbridled falsetto to his sonic artistry, Jeff Buckley defied conventions and left a catalogue of songs that is timeless and unique
5 essential Jethro Tull songs guitar players need to hear
By Neil Crossley published
"And here was Jimmy Page waving like mad… I'm thinking, 'I can't wave back, or I'm going to blow the solo'”
"The worst track we ever had to record" – why 3/4 of the Beatles hated Maxwell's Silver Hammer
By Neil Crossley published
No Paul McCartney song ever incurred the joint wrath of Lennon, Harrison and Starr quite like Maxwell’s Silver Hammer. Here’s why…
John Lennon: "Somebody let off a firecracker onstage and every one of us looked at each other, because each thought it was the other that had been shot. It was that bad.” – Why The Beatles retired from the stage
By Neil Crossley last updated
How death threats, disillusionment and the very real threat of onstage electrocution all fuelled The Fab Four’s decision to stop playing live…
5 songs you need to hear by Steely Dan: "Like a lot of kids in the ’50s, we were looking for some kind of alternative culture, an escape from where we found ourselves"
By Neil Crossley published
Across nine studio albums, jazz-loving perfectionists Walter Becker and Donald Fagen created a stunning body of work. Here are five of their finest moments
22 seminal festival moments
By Neil Crossley last updated
Classic festival sets that are cherished rarities and the result of much more than hit-laden set-lists
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