Jonathan Horsley
Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.
Latest articles by Jonathan Horsley

Orianthi played live on television for millions of viewers using her $219 Orange practice amp
By Jonathan Horsley published
Do you really need an expensive amp after all? For one of Orianthi's biggest gigs of 2024, her signature solid-state 1x8" combo got the job done

Phil Collen says Mutt Lange is an ace “one take” vocalist – and it’s the same with guitar
By Jonathan Horsley published
For Collen, working with Lange is like “going to school for your favourite subject” but recreating the studio magic live on Def Leppard tracks such as Love Bites can be very tricky at first

Schecter’s Ink Bomb C-1 is a Seymour Duncan-equipped electric with a wholly unique finish
By Jonathan Horsley published
Abstract expressionism runs rampant in the Schecter paint room

D’Addario launches wireless pedalboard power supply with adjustable daisy chain for tidier ‘boards
By Jonathan Horsley published
Go off grid – or stay on – with a D'Addario's USB-C rechargeable pedalboard power solution that promises less clutter, zero noise

Ernie Ball Music Man and James Valentine launch 2024 signature models: stunning, high-end, versatile
By Jonathan Horsley published
Refreshed in old-school colours for 2024, the new James Valentine models comprise dual-humbucker and classic single-coil/humbucker versions

Red Witch Pedals has made 99 different Univibes for its "one-of-one" Pax Harmonia chorus/vibrato
By Jonathan Horsley published
Each of the Pax Harmonia Unique Incandescent Univibe pedals are one-of-one designs, featuring dual modes and an expression pedal input, and you can create a blend of its chorus and vibrato sounds

“You could split the atom with this”: Jackson Pro Series DR24MG EVTN6 Diamond Rowe review
By Jonathan Horsley published
The Tetrarch riffer-in-chief drops a gem on ‘em with a heavyweight single-cut for super-heavy sounds

Epic auction raises more than $2.4m for music and youth charities as O.G. ’54 Strat sells at $300k
By Jonathan Horsley published
Lots included a stunning 1953 Fender Telecaster ($75,000), a super-rare Metallic Green '55 Strat ($143,750) and an '80s Kramer prototype that was smashed by Eddie Van Halen

The Danelectro Spring King reverb is dead, long live the Spring King Jr. (smaller, just as splashy)
By Jonathan Horsley published
The Spring King is reinvented as a space-saving mini pedal – but it still has that three-spring reverb tank under the hood

Stolen in ’72, returned in Feb, Paul McCartney’s original Höfner bass finally returns to the stage
By Jonathan Horsley published
McCartney's triumphant finale to the Got Back 2024 Tour also featured fellow Beatle Ringo Starr on drums and a guest spot from Ronnie Wood

Martin is giving up the Brazilian rosewood for Joe Bonamassa – blues star teases holy grail acoustic
By Jonathan Horsley published
Martin and JoBo unveiled on a meticulous replica of his 1941 000-45 in November but might this be upstaged by a version with the "ultimate tonewood"?

“Proof you can fit guitar solos into perfect two-minute pop songs”: Towa Bird stars in the top five guitar albums of 2025
By Jenna Scaramanga, Amit Sharma, Jonathan Horsley, Phil Weller published
If you’re looking for that last-minute Christmas gift for the guitar player in your life, help is at hand!

Guthrie Govan makes the case for the all-digital guitar rig – and it’s all about the F-word
By Jonathan Horsley published
The Aristocrats virtuoso in residence demonstrated exactly why the Axe-Fx unit and Laney FRFR has weened him off tube amps

Ernie Ball Music Man and RATM’s Tim Commerford team up for limited run signature StingRays
By Jonathan Horsley published
Commerford's latest EBMM signature collab features a pair of doozies, one active, one passive, both with adjustable thumb ramps, ash bodies and roasted maple necks
![Session guitar ace Tim Pierce wears a ballcap and poses with a Powers Electric guitar [left]; a young Jon Bon Jovi rocks Super Rock 84 on Bon Jovi's first tour of Japan. His shirt is open. His hair is big. And he has a red Fender Stratocaster slung low by his hip.](https://cdn.mos.cms.futurecdn.net/hcRVrVWpPRxr5HrsXuDAxW-320-80.jpg)
Tim Pierce on why Jon Bon Jovi was destined for superstardom, and how he nailed his Runaway solo
By Jonathan Horsley published
Sometimes rock history is settled by the fickle finger of fate. When Pierce was asked to help a young Jon Bon Jovi track his 1981 demoes, he ended up playing guitar on a Bon Jovi classic – a song that set its frontman on his way to the top

EHX's Pico 360+ is a tiny $137 looping powerhouse with 360s of recording time and unlimited overdubs
By Jonathan Horsley published
A pedalboard space saver that's packed with features, the latest in EHX's Pico Series has 11 memory slots, overdub control and adjustable fade-out

Cort digs out the solid cedar for a pair of super-tidy $369 black-top cutaway electro acoustics
By Jonathan Horsley published
The handsome cutaway dreadnought and orchestra model acoustics feature solid red cedar on top, mahogany on the back and sides, Fishman electronics – and those ivory pickguards look cool against the black tops

Watch James Hetfield lead Metallica in a swampy blues version of fuel with a Danelectro Baritone
By Jonathan Horsley published
In 2009, Hetfield told us that the Fuel era was all about loosening up and on Friday night at the Helping Hands charity gig he made good on it as Metallica reimagined Fuel, slower and lower

Mooer Audio’s GL-100 looper is its most powerful yet, offering a whopping 300mins of looping time
By Jonathan Horsley published
This dual-footswitch powerhouse has 100 memory slots, supports full stereo operation, has a count-in feature and even auto-record feature that lets you record loops without touching the pedal

Kenny Wayne Shepherd on covering Hendrix, his fistful of Dumbles and the secret to great overdrive
By Jonathan Horsley published
Shepherd's tone on Dirt On My Diamonds Vol 2 is smoking hot, reference quality blues-rock, but like any master chef, it's all about the ingredients and how you use them

Behringer unveils $69 clone of Maestro BB-1 Bass Brassmaster, a ‘70s fuzz that’d cost $2000 vintage
By Jonathan Horsley published
The Bass Brassmaster Fuzz comes hot on the heels of the Centaur Overdrive and '69 Vibe, as Behringer continues its run of megabucks vintage stompbox replicas at entry-level prices

Has Furch just made acoustic guitar setups a thing of the past with its new CNR System Active neck?
By Jonathan Horsley published
The CNR System Active is designed to make setups as easy as turning a couple of screws, and once your guitar is setup, it is engineered to stay setup

EarthQuaker Devices marks two decades in stompbox design with Hoof Fuzz 20th Anniversary Edition
By Jonathan Horsley published
EQD takes it back to the very beginning with a deluxe reissue of the fuzzbox that started it all

Reverb reveals its top selling pedals of 2024 and a compact modeller is this year's big winner
By Jonathan Horsley published
Podium finishes for top-sellers overall include three modern pedalboard classics, but are we entering an era when small format modellers are going to dominate the charts?

Producer reveals tone secrets and custom Gibson acoustics of Timothée Chalamet’s Bob Dylan biopic
By Jonathan Horsley published
Playing Dylan onscreen is all about authenticity and as executive music producer, Baxter could count on Gibson's help to ensure Chalamet had the right tool for the job
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