Hamish Mackintosh
Latest articles by Hamish Mackintosh
"I’m speaking a musical language with the modular synthesizer as my pen": Meet Arushi Jain, the "modular princess" using synths to reimagine Indian classical music
By Hamish Mackintosh published
Delight is the mesmeric new offering from modular synthesist, composer and singer Arushi Jain. Hamish Mackintosh sat down with Jain to find out more
Classic Steve Albini interview: "Lots of people in my position are opposed to the home-recording of music"
By Hamish Mackintosh published
Acclaimed studio engineer and musician Steve Albini has died aged 61
Jeff Mills: “I’m waiting for instrument makers to make that simple piece of gear that does that one thing brilliantly… just like a 303. There’s no sound like it”
By Hamish Mackintosh published
We caught up with electronic music-maker extraordinaire Jeff Mills prior to his appearance at this year’s CRSSD Festival, appropriately enough on 303 Day. Hamish Mackintosh spoke with The Wizard himself…
"The idea was that the computer would give us more time for creativity, but it was just the opposite...": Kraftwerk's Karl Bartos on how technology curbed the band's creativity
By Hamish Mackintosh published
Ex-Kraftwerk member Karl Bartos on the backstory of his new soundtrack to The Cabinet of Dr. Caligari
James Ellis Ford: "My desert-island synth would be my ARP 2600. I use that on literally everything I do!"
By Hamish Mackintosh published
Hamish Mackintosh catches up with the Simian Mobile Disco founder turned in-demand producer for Arctic Monkeys, Depeche Mode and more
Miss Grit: "I grew up being a little bit of an analogue purist, but that kind of thinking limited my creativity"
By Hamish Mackintosh published
Miss Grit follows up previous EPs with the utterly captivating debut album, Follow The Cyborg on Mute. Hamish Mackintosh finds out more
George Fitzgerald: "Serum is one of the best synthesizers ever made, hardware or software"
By Hamish Mackintosh published
George FitzGerald looks to the cosmos to fashion the sumptuous electronica of new album, Stellar Drifting
Kaitlyn Aurelia Smith: “I’ve played with Buchla instruments so long, they've become an extension of my brain”
By Hamish Mackintosh last updated
Doyen of the Buchla and maker of modular mayhem Kaitlyn Aurelia Smith returns with a new album, the chaotically beautiful Let’s Turn it Into Sound
FKJ: "I don’t think there’s any MIDI on this album - I find clicking on a laptop very uninspiring"
By Hamish Mackintosh last updated
FKJ returns with a brilliant new album, boasting contributions from Little Dragon, Toro Y Moi and guitar legend Carlos Santana. Hamish Mackintosh finds out more about the spaces in between
Moderat: "After 20 years of electronic music, the clean synth sound isn’t the most euphoric or rewarding sound to us"
By Hamish Mackintosh, Future Music published
Six years on from Moderat III, Berlin’s finest elektronische supergruppe emerge with sublime new album, MORE D4TA
Proc Fiskal: "I sort of play YouTube like an instrument [...] five of the tracks came about just by mashing the random start-points in a video"
By Hamish Mackintosh, Future Music last updated
"When I got into electronic music I just assumed that you had to have synths… I didn’t realise at that time that I could just do it all on my laptop there and then"
Jon Hopkins: "I don’t really have any modular synths, drum machines or any of that stuff - it’s all really Ableton and source audio from random places"
By Hamish Mackintosh published
Best of 2021: The Grammy-nominated producer opens up about his ambient masterwork, Music For Psychedelic Therapy, going off-grid with Ableton, field recording in Ecuadorian caves and hanging speakers in trees
Classic Interview: Steve Albini – "A lot of people in my position are opposed to the home-recording of music. They feel like it cheapens what happens in the studio, but I disagree"
By Hamish Mackintosh published
As Albini turns 60, we revisit our 2013 interview where he offers valuable advice and insight into audio engineering
Trentemøller talks latest album, plus compares studio and live setups
By Hamish Mackintosh published
Some people never change whereas others have an inner drive to constantly change, reinvent and explore new avenues. Anders Trentemøller definitely falls into the latter category.
Guy Sigsworth on working with Madonna
By Hamish Mackintosh, Production Expo 2014 last updated
The UK production ace on the art of the pop collaboration
Yoad Nevo on hard work and making Waves
By Hamish Mackintosh, Production Expo 2014 last updated
Doyen of the mastering-process talks
Fraser T Smith talks MPCs, mics and minimalism
By Hamish Mackintosh, Production Expo 2014 last updated
Grammy-winning producer, Fraser T Smith discusses how less is often more
Cenzo Townshend on how to diversify as a producer
By Hamish Mackintosh, Production Expo 2014 last updated
Award-winning mixer/engineer Cenzo Townshend on musical diversity
Craig Smith: gaining respect and residencies
By DJ Expo, Hamish Mackintosh last updated
We catch up with Craig Smith to shoot the breeze on getting a club residency, how to 'hold' the dance floor, and the importance of casting your net wide musically.
Noah Pred on the fundamentals of DJing
By Hamish Mackintosh, DJ Expo last updated
Renowned for his remarkable remix abilities, sought after techno DJ Noah Pred discusses the craft behind his music.
The weird and wonderful world of Mr Scruff
By Hamish Mackintosh, DJ Expo last updated
Mr Scruff on his love of vinyl, being inspired by disco, and why it's ok to be obsessed with music.
Max Cooper talks tech, tools and tempo
By Hamish Mackintosh, DJ Expo last updated
Max Cooper takes time out from promoting his brilliant debut album, Human, to discuss DJ etiquette and doodling on CDs.
Tony Banks: the 10 records that changed my life
By Hamish Mackintosh last updated
The Genesis keyboard player discusses the songs and albums that blew his mind
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