Chris Cartledge
Chris has been making music since 1997 when the box for Mixman Studio Pro called out to him at HMV — the perfect time to watch VSTs get introduced to the world and the computer music revolution gain speed. His experience of producing and performing in the worlds of hip-hop, turntablism, and electronic music saw him featured in legendary publications Hip Hop Connection and RWD, tutoring and managing organisations dedicated to introducing music-making in the community, creating, writing and editing for leading DJ and music production websites during the digital boom, and he now runs howtomakemusic.co from his studio.
Latest articles by Chris Cartledge
"It's got more punch than a kangaroo at boxing practice": What is OTT compression - and how do you use it?
By Chris Cartledge published
This influential Ableton Live preset made its way into thousands of tracks, spawned a copycat plugin, and inspired a new - and unapologetically excessive - style of compression. But why does it sound so good?
"We’ve never had it so easy": 5 ways music gear has improved over the years... and 5 it hasn't
By Chris Cartledge published
We take stock of the progress that's been made in modern music technology - and consider where there might be room for improvement
Love Hultén is making some of the weirdest instruments you've ever seen
By Chris Cartledge published
Sewing machines, ferrofluid oscilloscopes and mechanical crabs - nothing is off-limits in Love Hultén's wildly imaginative world of instrument design, but how does he do it?
The story of the Resynator, the long-lost '70s synth beloved by Peter Gabriel and Butch Vig: "Most synthesizers I encounter are more like domesticated animals, but here was this thing, like a wolverine"
By Chris Cartledge published
Miles ahead of its time upon release, this instrument-controlled, pitch-tracking synth is the subject of a new documentary directed by inventor and synth pioneer Don Tavel's daughter
8 things I love about Ableton Live (and 2 that I really don't): "Live's greatest strength is that it feels like the DAW itself is an instrument"
By Chris Cartledge published
In the first of a new series exploring why music-makers choose their DAWs, Chris Cartledge talks us through the reasons behind his affection for Ableton
The beginner's guide to sampling from vinyl: "If you make sample-based music and you’ve never dropped the needle on a record, you’re missing out on a world of inspiration"
By Chris Cartledge published
Forget 128kbps YouTube rips and lo-fi plugins - here's how to do sampling the old-school way
How to incorporate foot controllers into a live electronic set
By Chris Cartledge published
Put your best foot forward with our guide to making use of sustain pedals, expression pedals and MIDI foot controllers in live electronic performance
10 Christmas gift ideas for the music-maker in your life under $100
By Chris Cartledge published
Stocking stuffers for musicians on a budget
We tested all of these viral TikTok music production hacks so you don't have to
By Chris Cartledge published
Our curated selection of the best tips, tricks and advice that the short-form video platform has to offer
808s, MPCs and Auto-Tune: The story of hip-hop production in 10 iconic bits of gear
By Chris Cartledge published
Hip-hop's evolution is intertwined at every turn with the development of music technology. As the genre turns 50, we chart its five-decade history through ten influential pieces of music-making kit
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