
Andy Price
As the former editor of Computer Music, I aim to bring the same knowledge and experience that underpinned that magazine to the editorial I write, but I'm very eager to engage with new and emerging writers to cover the topics that resonate with them. My career has included editing MusicTech magazine and website, consulting on SEO/editorial practice and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut. When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price

“Unprecedented sound design freedom”: Arturia launches the new feature-packed Pigments 6
By Andy Price published
If you're already a Pigments user you can get if for free

“Technology is cool, but you’ve got to use it as opposed to letting it use you”: Why Prince never allowed gear to lead the way and how we can take back control of our tech
By Andy Price published
It’s pretty easy to be daunted by the sheer quantity of music technology at your disposal, but always remember - it's there to serve you

“Calling anything with a loop or sample in it ‘hardgroove’ is kinda annoying and often misunderstands what the sound actually is”: Exploring the hardgroove genre
By Andy Price published
This techno subgenre has been rediscovered in recent years, but what elements make it stand apart from the rest?

Producer John Porter on shaping the sound of The Smiths, and why he’s auctioning a huge collection of studio acetates
By Andy Price published
John found a huge collection of original acetates and mixes of many Smiths’ classics unplayed since the 1980s

NAMM 2025: “With hardware this tough, you have a companion for life”: Bitwig enters the hardware world with the Connect 4/12
By Andy Price published
This ultra-flexible interface marks the Berlin-based company's first foray in the physical gear market

“Learning how to mix is almost as important as hitting on your original musical idea”: New to the mixing process? Start here
By Andy Jones published
Don't let a brilliant song be swallowed up in a bad mix by following our guide to the central principles of the process

Novation collaborates with GForce Software on the ultimate software version of the Bass Station
By Andy Price published
Aphex Twin's favourite room-shaking synth gets the definitive in-the-box treatment

How a song intended to be an album track would leave a massive mark on music’s future
By Andy Price published
When Brian Eno first heard it, he could sense its potential to revolutionise the way pop would be made

Why Paul McCartney’s intuition-led attitude to songwriting is worth taking onboard
By Andy Price published
The Beatles’ legend has long been open about how his songwriting workflow is guided by ideas and not a rigid format

The centrality of music and sound in David Lynch's work
By Andy Price published
The late Twin Peaks and Blue Velvet director’s canon has left a lasting imprint on musicians and sound designers

NAMM 2025: Scaler 3 promises to widen the feature set of one of our favourite songwriting tools
By Andy Price published
This third version of the ultimate music theory workstation promises to be more effective than ever at suggesting creative routes forward

NAMM 2025: Musik Hack to showcase its sound-enhancing plugin Fuel at this year's show
By Andy Price published
The Master Plan developer's recently launched second plugin melds a bass enhancer, limiter, saturator and clipper

Opinions vary on the value of music production schools in 2025
By Andy Price published
In a recent long-read feature, we heard a range of views on the usefulness of music production schools when building a career

Rage Against the Machine's most controversial track exceeds a billion streams
By Andy Price published
The band's debut single has been divisive since its release, but its potency has been proved by this latest milestone

“If you like someone’s work, the important thing is to be exposed to everything that person has been exposed to”: Understanding Bob Dylan's take on incorporating your inspirations
By Andy Price published
What can songwriters learn from Bob Dylan's view on absorbing influences?

NAMM 2025: New MIDI-integrated Rhodes pianos merge old-school craft with extended expression via polyphonic aftertouch
By Andy Price published
At NAMM Rhodes will unveil the new MIDI-capable version of its MK8 Piano, alongside a glimpse at its new 61-key stage piano

Amateur musician unknowingly performs Green Day classic in front of Billie Joe Armstrong
By Andy Price published
Billie Joe Armstrong was visiting some of Liverpool's iconic music locations, and happened upon a local musician playing one of his own songs

“They're poised to have a breakthrough year”: Are these music's next superstars? Shazam thinks so
By Andy Price published
The track identifying app's Fast Forward 2025 pinpoints who its data suggests will explode in the coming 12 months

How to work with reverb effectively
By Adam Douglas published
“When used correctly, a good reverb can lift a song into the stratosphere”

The classic songs that are entering the public domain in 2025
By Andy Price published
“The lyrics and music to Tiptoe Through the Tulips will be free for anyone to copy, perform, record, adapt, or interpolate into their own song”

“I hate a song that makes you think that you are not any good”: Woody Guthrie's songwriting philosophy debated
By Andy Price published
Does Woody Guthrie's songwriting philosophy still stand?

Ringo Starr joins Paul McCartney for emotional Got Back tour finale in London
By Andy Price published
The surviving Beatles reunited at the O2 Arena to mark the end of Paul's mammoth world tour

Is Spotify creating fake artists to flood its editorial playlists?
By Andy Price published
An investigation in a new book sheds light on the alarming rise of dubious real 'artists' peppering Spotify's editorial playlists
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