Andy Price
As the former editor of Computer Music, I aim to bring the same knowledge and experience that underpinned that magazine to the editorial I write, but I'm very eager to engage with new and emerging writers to cover the topics that resonate with them. My career has included editing MusicTech magazine and website, consulting on SEO/editorial practice and writing about music-making and listening for titles such as NME, Classic Pop, Audio Media International, Guitar.com and Uncut. When I'm not writing about music, I'm making it. I release tracks under the name ALP.
Latest articles by Andy Price
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“I want to continue to have something that’s not microwavable in a world today where our attention span is pretty much lost”: Kendrick Lamar officially becomes the world's biggest hip-hop artist
By Andy Price published
Following a globally acclaimed half-time show at the Super Bowl earlier this month, interest in Kendrick Lamar has surged to record-breaking levels
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How the Rolling Stones drew on their own - and imagined - lives for songwriting inspiration
By Andy Price last updated
For some, songwriting is all about honesty and injecting lived experience into the lyrics, yet as Mick Jagger will tell you, sometimes you have to play fast and loose with the truth
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The rumours were true: Thom Yorke officially becomes a Warp Records artist via a new single with Mark Pritchard - and a nightmarish video
By Andy Price published
Back In The Game marks Yorke's first release on Warp Records and second major collaboration with Pritchard. But what does it all mean…
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"It's like recording sounds across time": How Yumi Matsutoya used AI to turn back the clock when crafting her new album
By Andy Price published
One of Japan's most celebrated singers harnessed Dreamtonics' vocal processing to create a new voice which transcends time and space
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How Radiohead’s most controversial change proves that music-makers shouldn’t be restricted by genre
By Andy Price published
The success of one of Radiohead’s most celebrated albums illustrates how creators should never feel limited by the conventions - or the instruments - of their chosen genre
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“And then, out of nowhere, this crazy boy just started singing this song”: How Elvis Presley spontaneously altered the course of music history
By Andy Price published
After just one impromptu performance, the benchmark for Presley’s whole career was set - and the ears of a generation were listening
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Are all interpretations of songs correct? Kate Bush certainly thinks so
By Andy Price published
It’s easy to get precious about the true meaning of our creative endeavours, but how much authority do songwriters really have to own the definitive reading of their work?
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How futurepop brought the sound of tomorrow to the dawn of a new century
By Andy Price published
Balancing the euphoria of synth-pop with the harder edges of EBM, futurepop was the sound of a distinct moment - yet its sonic footprint withstood the test of time
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How Aphex Twin fought the temptation to continually refine, and how we can learn from his example
By Andy Price published
It’s easy to carry on fiddling with our tracks, but as Richard D. James knows all too well, that urge to keep going can prove a problem
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“When I came up with the guitar part, Krist looked at me and said, ‘That is so ridiculous’. I made the band play it for an hour and a half”: It defined the '90s, yet Nirvana’s biggest anthem started out as a self-confessed rip-off
By Andy Price published
It was written to be the ultimate pop song, and with over two billion streams, the legacy of Nirvana’s most popular cut endures
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“Maybe I’ll write out five or six chords, then discipline myself to write something only with those chords involved”: Why David Bowie’s restrictive songwriting strategies provide a lesson for us all
By Andy Price published
Sometimes imposing rules can force us out of our creative comfort zones. It's a tactic David Bowie used to birth some of his most celebrated songs.
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“It was the first song I wrote just to see if I could. I discovered - oh yes, I can!”: How David Byrne created Talking Heads' most popular track right out of the gate
By Andy Price published
The song was intended as a deliberately dark response to the more playful macabre antics of Alice Cooper. But it would end up shaping Talking Heads’ future
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“If you're listening to amazing gear through terrible monitors, you've wasted your cash”: Why monitors are the most important part of your studio
By Andy Jones published
Don't know where to begin with buying and using studio monitor speakers? Listen up
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“Unprecedented sound design freedom”: Arturia launches the new feature-packed Pigments 6
By Andy Price published
If you're already a Pigments user you can get if for free
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“Technology is cool, but you’ve got to use it as opposed to letting it use you”: Why Prince never allowed gear to lead the way and how we can take back control of our tech
By Andy Price published
It’s pretty easy to be daunted by the sheer quantity of music technology at your disposal, but always remember - it's there to serve you
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“Calling anything with a loop or sample in it ‘hardgroove’ is kinda annoying and often misunderstands what the sound actually is”: Exploring the hardgroove genre
By Andy Price published
This techno subgenre has been rediscovered in recent years, but what elements make it stand apart from the rest?
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Producer John Porter on shaping the sound of The Smiths, and why he’s auctioning a huge collection of studio acetates
By Andy Price published
John found a huge collection of original acetates and mixes of many Smiths’ classics unplayed since the 1980s
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NAMM 2025: “With hardware this tough, you have a companion for life”: Bitwig enters the hardware world with the Connect 4/12
By Andy Price published
This ultra-flexible interface marks the Berlin-based company's first foray in the physical gear market
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“Learning how to mix is almost as important as hitting on your original musical idea”: New to the mixing process? Start here
By Andy Jones published
Don't let a brilliant song be swallowed up in a bad mix by following our guide to the central principles of the process
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Novation collaborates with GForce Software on the ultimate software version of the Bass Station
By Andy Price published
Aphex Twin's favourite room-shaking synth gets the definitive in-the-box treatment
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How a song intended to be an album track would leave a massive mark on music’s future
By Andy Price published
When Brian Eno first heard it, he could sense its potential to revolutionise the way pop would be made
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Why Paul McCartney’s intuition-led attitude to songwriting is worth taking onboard
By Andy Price published
The Beatles’ legend has long been open about how his songwriting workflow is guided by ideas and not a rigid format
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The centrality of music and sound in David Lynch's work
By Andy Price published
The late Twin Peaks and Blue Velvet director’s canon has left a lasting imprint on musicians and sound designers
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