Andy Jones
Andy has been writing about music production and technology for 30 years having started out on Music Technology magazine back in 1992. He has edited the magazines Future Music, Keyboard Review, MusicTech and Computer Music, which he helped launch back in 1998. He owns way too many synthesizers.
Latest articles by Andy Jones
The classic clip of Stevie Wonder, Herbie Hancock, Howard Jones and Thomas Dolby playing the 1985 Grammy Awards is not just the most '80s thing ever, but - thanks to John Denver - a lesson in synth history
By Andy Jones published
And as bonkers as the performance was, HoJo believes that "it really did mark a sort of turning point for electronic music"
Thank you for the Glaze: Native Instruments' holiday giveaway is a $49 Play Series instrument packed with free vocal samples for pop, hip-hop and R&B
By Andy Jones published
High-gloss vocal licks and lines at your fingertips
Nile Rodgers, Justin Hawkins, Katie Melua and more advice on how to deal with life on the road
By Andy Jones published
Bonafide been-there-done-that stars plus many 'proper' experts deliver top advice on how to keep your head while touring
It's game on for Roland and its all new Ice White Edition Bridge Cast
By Andy Jones published
It's got gamers in mind, but you can add your own music, too
Bitwig Studio 5.1 is now available and adds "10 new characters": is this the most creative DAW ever?
By Andy Jones published
With even more modules added to this most modular of platforms, it just might be
We tried to make a Beatles track using AI-generated vocals - here's what happened
By Andy Jones published
We're calling it YesterdAI...
"Right, we've had a break – this is it": Radiohead drummer says band are "coming around to that point" of getting back together
By Andy Jones published
But then he also described the band's five-year hiatus as "a little break for a minute"
"This might not be such a good idea after all": A YouTuber tries to recreate classic $200 ReBirth software with $15,000 worth of original vintage Roland hardware
By Andy Jones published
Yes, he really is using using vintage hardware to emulate software that emulated the vintage hardware.
"To say its arrival was earth-shaking would be no exaggeration": why, 40 years on, the Yamaha DX7 was the most important release in synth history, even though it did "make your head dribble"
By Andy Jones published
And why 'important' doesn't always mean 'best'…
From Holy Grail to dodo: how the legendary SynthAxe went from being "the future of the electric guitar" to "way beyond what most guitarists could comprehend"
By Andy Jones published
But if you own this rare and mythical musical instrument beast, then the drinks are on you…
How to make an AI cover song with any artist's voice
By Matt Mullen published
Heard the AI-generated fake-Drake song that hit the headlines this year? How about the "Oasis" album with AI Liam Gallagher on vocals? Here's how to do it yourself
“It's so offensive that it can't actually mean that”: Have The Prodigy finally changed the lyrics to ‘the most controversial song of all time’?
By Andy Jones published
Maxim now sings "Pitch up. Change my pitch up", rather than what you hear on the 1997 original
"I try out ideas that might be too weird otherwise": version 3 of Valhalla DSP's Supermassive is the most "super massive-est" yet, and it's still completely free!
By Andy Jones published
Update adds new modes called 'Leo' and 'Virgo' to one of the best free plugins in the cosmos
“You have people who are into computers and synthesisers, and then you get those who are interested in real music”: Geoff Emerick was totally anti-technology back in 1985, but he did correctly predict the future of recording
By Andy Jones published
It was better in his day, he said, and it turned out he was right
AIAIAI Unit-4 Wireless+ review
By Andy Jones published
AIAIAI says Unit-4 is the first true wireless monitor system designed for the recording studio and mobile mixing. And that claim might well be justified...
Cherry Audio has revived the ARP Pro Soloist, a classic '70s synth used by Tony Banks, Herbie Hancock and more
By Andy Jones published
You can buy it on its own or as part of the new Synth Stack 4, which offers 'everything Cherry Audio' in one collection
“It’s 'Snow and Then' versus the Christmas Starman”: The Beatles and David Bowie go head-to-head in the festive merch wars
By Andy Jones published
Yes, it’s a ‘snow’ news day… (But it is for charity)
Black Friday iPad deals 2023: Up to $100 off iPad Pro, Air and mini models - all with music-friendly specs
By Andy Jones published
Apple's tablet is the perfect tool for mobile music production and this year's Black Friday discounts are heavy, making it the ideal time for you to start you iPad music making journey…
"So powerful, you might need to switch it off and on again": The ultimate guide to Roar, the gnarly saturation plugin that's the best thing about Ableton Live 12
By Andy Jones published
Capable of truly out-there, mind-bendingly powerful sounds, here's why Roar could be one of the greatest effects Ableton Live has ever seen…
"He liked the look of the knobs": The extraordinary story of The Beatles' Abbey Road mixing desk that was rescued from a skip and is now worth over a million pounds
By Andy Jones published
Here comes the seven-figure sum - that's what you might have to pay for the desk that was used to record Fab Four's final album, then given to a school that binned it…
Plugin Boutique has opened the doors on its massive Black Friday sale - we’ve hand-picked 5 of the best deals
By Andy Jones published
All the biggest software brands - including iZotope, Rhodes, Korg, UA, Native Instruments and Arturia - have jumped into the Plugin Boutique's Black Friday sale with both feet!
Antares just launched a pitch-perfect Black Friday deal - bag Auto-Tune for half-price
By Andy Jones published
If you need vocal processing, then Antares not only has 50% off its entire range of iconic Auto-Tune plugins but just about every other vocal effect out there too
The ultimate guide to Meld, Ableton Live 12's new synth
By Andy Jones published
This modulating monster of a synth is just one very good reason to consider the leap to Live 12. Here's why…
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