“There’s nights where I think, ‘If we don’t get to Paradise City soon I’m going to pass out!’”: How drummer Frank Ferrer powered Guns N’ Roses for 19 years
And why You Could Be Mine was his favourite song to play

Guns N’ Roses have announced that drummer Frank Ferrer has left the band by mutual consent.
Ferrer was GN’R’s longest-serving drummer, having joined the band in 2006. He also had a couple of side projects - The Compulsions and Pisser.
His final show with Guns N’ Roses was in Mexico on 5 November, 2023.
Ferrer also played on five tracks from Guns N’ Roses’ 2008 album Chinese Democracy.
In 2016, when lead guitarist Slash and bassist Duff McKagan reunited with singer Axl Rose for the band’s Not In The Lifetime tour, Ferrer spoke to MusicRadar about his role in Guns N’ Roses.
He also voiced his appreciation for the drummers who had performed with the band before him - Steven Adler (who played on the classic debut album Appetite For Destruction), Matt Sorum (featured on the twin 1991 albums Use Your Illusion I and II) and Chinese Democracy-era drummer Bryan ‘Brain’ Mantia.
Ferrer said of his predecessors: “I have tremendous respect for the drummers in Guns N’ Roses. I really try to keep the spirit of the way the [original] song was played.”
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He gave the highest praise to Steven Adler’s performance on Appetite For Destruction.
“When we play the Appetite stuff I try to have the push and pulls,” he said. “Steven’s punk rock bits are great.
“Adler’s playing was one of the greatest rock drumming performances in the history of music. You can put it in the top ten. His playing on Appetite is perfect.
“Then with [Matt] Sorum it’s a little more tight and more reserved kind of playing. I do try to keep that spirit, though.
“I love Brain [Mantia] so much. What Brain told me was to try and make the songs my own. I never forget that.
“Obviously my own personality comes through, especially on some of the funkier stuff. I might give a more New York hip hop kind of feel to it.”
Ferrer revealed which classic songs he most enjoyed playing.
“My favourite song to play is You Could Be Mine, that’s so fun to play as a drummer. That one’s like shifting in a car. You’re peeling out then hit a low gear, then you’re cruising. You have to shift the gears. It’s balls out!
He continued: “Rocket Queen is dope. [Mr.] Brownstone is dope. I do Brain’s intro to Brownstone. Adler used to just do the bo diddley on the floor tom where as Brain was doing it more on the toms, the two racks and the floor.
“Think About You is a lot of fun, real punk rock and more of the kind of spirit that I grew up with.
“Some of the first record stuff, the way that Brain was playing it when I watched him play it, it sounded like it gave Axl more room to sing. Axl sings fast a lot so you have to pull back a little bit so he can get his words out.”
Ferrer went into detail about his own sound and kit.
“The style of music and sound I like to hear is like John Bonham, big, huge, open toms.
“What they did with Chinese Democracy, the drum sound they got there is the one that they like to use live. It’s not important to me that it has to be my snare sound, just as long as it sounds good. If it makes the music sound better then that’s all that matters to me. I don’t really mess with the tunings.
“I have a great tech and front of house guy and they’re the experts in that as far as I’m concerned. I have a 12” rack, 14” and 16” floor, 24” bass drum. The snare drum is the diamond of the kit, it’s a Tama bell brass snare. It’s the greatest drum I’ve ever heard. They used those on the record, but they used the original one from the ’80s. I think the one I’m using now is the newer one, the one Lars Ulrich came out with. The ones they used on the record were 27 years old, $3,000 a piece!”
He also explained the physical challenges of performing with Guns N’ Roses, with three-hour sets as standard.
“During the live show I play on all of the [guitar and keyboard] solos so I don’t get off my riser once,” he said. “It definitely pushes you to the limits.
“There’s nights I feel like I can play all night long. There’s nights where I think, ‘If we don’t get to Paradise City soon I’m going to pass out!’ Then sometimes you get to the double time in ‘Paradise’ and think, ‘Man, I’ve got to play this now!?’
“It’s a gig that you have to have your mind in it, your body in it, you have to be in it because it will get away from you fast," he added. "Most of the time even if you’re not feeling at top form the crowd will pull you through. I just started doing a little yoga. It’s good to do that kind of stretching.”
Ferrer concluded by describing his role in the band.
“The kind of drummers I love are guys like Phil Rudd, Charlie Watts, Peter Criss, just foundation type drumming,” he said. “Soloists that I grew up listening to where guys like Zack Alfred, Sterling Campbell.
“I’m in between there, I would imagine. I can rip it out. My mindset was to just give it to them, just hammer them, throw your sticks down and walk off the stage. What’s great about Guns is that I get to showcase my talent within the songs.
“A lot of that stuff is the Sorum stuff, but there’s also songs like Brownstone. If you want to know what kind of drummer I am just listen to me play Brownstone or Rocket Queen.
“I love being the foundation and sitting in that pocket. I can be in the pocket all day. I’m more like Phil Rudd, I just want to 2/4 it and let everybody else do their thing while I sit up there holding it together.”
Paul Elliott has worked for leading music titles since 1985, including Sounds, Kerrang!, MOJO and Q. He is the author of several books including the first biography of Guns N’ Roses and the autobiography of bodyguard-to-the-stars Danny Francis. He has written liner notes for classic album reissues by artists such as Def Leppard, Thin Lizzy and Kiss. He lives in Bath - of which David Coverdale recently said: “How very Roman of you!”
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