“The best ever grime producer”: Influential producer and beat maker Terror Danjah has died
“There are few people I have seen reach out, nurture and empower as many emerging artists”
![Terror Danjah](https://cdn.mos.cms.futurecdn.net/6vpp6w5DqakasGHdvTBctJ-1200-80.jpg)
Influential grime producer Rodney Pryce, aka Terror Danjah, has died. The East London born musician played a significant role in the evolution of grime from its early days through to its more contemporary evolutions.
Pryce first emerged in the ‘00s as a member of early grime collective N.A.S.T.Y Crew, which also featured the likes of Kano, before later becoming a member of Aftershock alongside members including Tinie Tempah and Specs.
A hugely prolific beatmaker and widely regarded as one of the scene’s best producers, Pryce provided beats for influential MCs such as D Double E and Ghetts. He was also a notable proponent of grime subgenre R&G (rhythm & grime), which paired the genre’s rugged beats with the soulful vocals and melodies of R&B. In 2014, he collaborated with Four Tet for a single Killer, released on the former’s Text label.
As well as influencing grime artists, Pryce’s work had a significant impact on dubstep, UK funky and other dance music genres. He later signed to taste-making electronic labels including Hyperdub, Butterz and Planet Mu as a solo artist, the latter of which released a compilation of his early vinyl-only beats entitled Gremlinz. He also founded his own label, Hardrive.
Pryce suffered a stroke in 2019, leaving him in a coma and critically ill. He was reported to have suffered health issues in the years since, effectively halting his musical output.
His death was first announced on X by fellow grime artist and friend D Power Diesle, before being confirmed by Planet Mu, who described him as “the best ever grime producer”.
Posting to X, DJ Logan Sama wrote that: “There are few people throughout my history in music that I have seen reach out, nurture and empower as many emerging artists with the tools to go on to lead successful careers than I did Terror Danjah.
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“He truly loved music. He loved people. And I love him.”
I'm the Managing Editor of Music Technology at MusicRadar and former Editor-in-Chief of Future Music, Computer Music and Electronic Musician. I've been messing around with music tech in various forms for over two decades. I've also spent the last 10 years forgetting how to play guitar. Find me in the chillout room at raves complaining that it's past my bedtime.
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