Latest about Producers & Engineers
“Is anyone getting paid for the stuff it’s trained on?”: Beato on the downsides of AI
Rick Beato argues that Auto-Tune has paved the way for the use of AI in music
GiGi FM on creative expression with Ableton Live: "It's my emotional puke bag!“
Multi-disciplinary artist GiGi FM tells us about using movement and dance to produce synaesthetic bangers in Ableton Live
Bullion: "There’s no bigger turn-off than going into a studio that feels like a spaceship"
We visit producer and songwriter Nathan Jenkins in the studio to talk self-doubt, eBay bidding wars and the joys of the laptop mic
Tourist invites us into his new home studio and shows us the trio of synths he couldn't live without
We visited Tourist in the studio to find out more about how his new album Memory Morning was made
Kasbo on keeping things simple in the studio and working on his own terms
Birthed from an agonising stress-related hearing loss, and put together in an ABBA-backed prison-turned studio, Kasbo’s third album, The Learning of Urgency is a potent, melody-infused statement from an artist in ascendance
The FabFilter synth preset that inspired the name of Billie Eilish’s Hit Me Hard and Soft was used on one of its songs, and we’re pretty sure we know which one
Hear ‘Hit me soft, Hit me hard’ being played on Hit Me Hard and Soft
Revealed: The 3 Splice loops that power the beat for Sabrina Carpenter's Espresso
Too bad if loops don’t do it for ya; walked in and reproduced it for ya
"It’s super cheap and I pretty much use it on every track": Demi Riquísimo on his number one synth
We visited the London-based producer/DJ in the studio to find out more about the making of new track Windows 95 Anthem
