Latest about Producers & Engineers
"I’m blessed to have every sampler I ever wanted - apart from a Fairlight": Matt Karmil on the hardware samplers and studio techniques behind sixth LP No Going Back
Matt Karmil chats to Danny Turner about the tips, tricks and studio techniques behind his sixth LP, No Going Back
Jack Antonoff explains that unusual key change in Sabrina Carpenter’s Please Please Please
"It’s A to C - it’s not a typical place you would lift to - and we were just all like ‘whoa’”
Kathy Sledge explains why Sister Sledge didn't get to hear We Are Family right up until they recorded it
“They believed in spontaneity,” she says
"Back in the Stu with Stuart Price": Madonna is back working with Stuart Price
Confessions On A Dance Floor producer is back behind the boards for her Madge
"It’s become indispensable": Mastering engineer and musician Rafael Anton Irisarri on the piece of gear that he calls his “secret weapon”
The in-demand engineer and adventurous musician – formerly known as The Sight Below – on the subtle art of mastering ambient music and his new solo album
"If you’re making art it’s good to be a bit weird”: 5 tips from Hardt Antoine’s house masterclass
The Kompakt and Innervisions artist on why he eschews preparation in order to embrace creativity
Raphael Saadiq says that Beyonce, D'Angelo and Solange can hear the potential in songs that others can't
“I wasn't even going to play Beyonce that song. I was going through another song, and she heard Bodyguard, and she said, ‘What's that?’”
Beabadoobee on her unorthodox guitar style and how it helped her to gel with Rick Rubin
“I think what I really go off with, and what Rick really goes off with, is what you feel and the vibe and what you hear,” she says
