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Brian May on how The Night Comes Down was born of depression – and the desire to prove people wrong
By Jonathan Horsley published
With a radically-modded cheapo classical guitar, a head clouded by darkness, May wrote a great Queen epic and tore up the production rulebook that said you can’t mix electric and acoustic
“Metallica are killing us!”: How a hair metal band’s dream gig turned into a nightmare
By Paul Elliott published
The Monsters Of Rock tour in 1988 was a disaster for Dokken
Harley Benton expands Agufish series with two single-cuts and a 28” scale baritone for monster riffs
By Jonathan Horsley published
Harley Benton teams up with the YouTube star for the Standard lineup, featuring weight-relieved bodies, humbuckers with coil splits, roasted maple necks and locking tuners
Fortnite introduces Snoop Dogg as a new non-playing character
By Will Simpson published
But there’s controversy over his character’s Crips-affiliated dance
“It’s like there’s another guitar player”: How one metal guitarist sounds like two
By Amit Sharma published
The DIY approach of Within The Ruins axeman Joe Cocchi
"I thought it was kind of cheesy": Mark Ronson on the making of Uptown Funk
By Ben Rogerson published
As the song celebrates its 10th anniversary, Ronson says that “it remains one of the most meaningful musical experiences of my life”
“It just dropped down and my skin fell down with it. People would vomit when they saw it”: Slipknot’s Shawn Crahan on his ‘worst’ injury
By Will Simpson published
He lost 25% of his arm from the resulting surgery
Luke Combs on being told by Tracy Chapman that he’d made a mistake in his cover of Fast Car
By Ben Rogerson published
“I think about it every single time that I sing the song, and I will think about it every single time I sing this song for the rest of my whole life”
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