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Learn production, DJing and songwriting from pros like Fraser T Smith, Carl Cox, Skream and Joe Goddard with Whatclass
By Matt Mullen published
Whatclass also offers a personalized music feedback service that gives you the chance to have your music critiqued by top artists

Why Trent Reznor turned down Richie Kotzen for Nine Inch Nails
By Will Simpson published
But Stanley Clarke “didn’t give a shit” what band he was in

“If you've got one follower or 10 million, that doesn't matter”: Dr Dubplate on "gatekeeper mentality"
By Matt Mullen published
We sat down with the fast-rising DJ and label head in ec2a's Bristol HQ to talk inclusivity and reflect on the label's fifth anniversary

Who Wants To Live Forever? The composer still creating music from beyond the grave
By Will Simpson published
Alvin Lucier’s lab-grown artificial ‘brain’ is creating sound four years after he died

"The look on their faces said, 'We’re in trouble, boys'": the making of All I Need Is A Miracle
By Daniel Griffiths published
There was a weird moment when, in the US Top 20, there was a Gabriel song, a Collins song, a Genesis song and a Mechanics song

Trump’s tariffs: What’s the real cost to music and how come K-Pop is weathering the storm?
By Daniel Griffiths published
When cash dries up, musical luxuries such as streaming services and gig tickets are among the first to feel the bite

“He always had this contemptuous smirk on his face”: White Lotus creator Mike White on the show’s composer
By Ben Rogerson published
“I just don’t think he respected me,” says White when discussing Cristobal Tapia de Veer. “He wants people to know that he’s edgy and dark and I’m, I don’t know, like, I watch reality TV”

“I don’t want to book a boy band”: Why Perry Farrell didn’t want Green Day on the Lollapalooza bill
By Will Simpson published
He thought they were a record company creation
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