“Jimmy Page was meticulous. Hendrix was more free-form”: The genius of two visionary guitarists by the producer who worked with both

Eddie Kramer, the producer famed for his work with Jimi Hendrix, Led Zeppelin, The Beatles, The Rolling Stones and more, has revealed how Hendrix and Jimmy Page had very different approaches to creating their music.

In a new interview with The Globe And Mail, Kramer discusses his work on the new box set Electric Lady Studios: A Jimi Hendrix Vision, which features 38 unreleased tracks recorded during 1970. And he recalls the chaotic atmosphere in which Hendrix worked at that time.

Jimi Hendrix - Electric Lady Studios: A Jimi Hendrix Vision (Documentary Trailer) - YouTube

Watch On

“It was like walking into a circus run by a mad genius,” Kramer says. “There were always people around – hangers-on, musicians, a constant stream of characters. One time during the Electric Ladyland sessions, there were 30 people crammed into the control room, just hanging out, drinking, smoking, making noise. I finally said, ‘Jimi, if we want to get this done, we need to clear out the riff-raff.’ He sighed and said, ‘Yeah, man, you’re right.’ We kicked everyone out except for me, him and the tape op. The minute it was quiet, he nailed the track in one take.

“That’s what it was like – chaos swirling around, but Jimi could hone in and find laser focus. It was the same intensity you saw in his live performances, but even more concentrated.”

Kramer worked as engineer on five Led Zeppelin albums - beginning with 1969’s Led Zeppelin II - and he says that Zep leader Jimmy Page had a far more methodical approach.

Led Zeppelin - Ramble On (HD) - YouTube

Watch On

“Jimmy Page and Jimi had similar traits,” Kramer says. “They both had a clear vision of what they wanted. Page was meticulous, always thinking in terms of arrangements and technical details. He’d find some random instrument, like a clutch wheel with bamboo sticks, and figure out a way to use it in two takes. Jimi was more free-form – he’d just grab things and say, ‘Let’s see what happens!’ That’s what made each session so unique.”

Kramer also says that there is still more unreleased material in the Hendrix archives. “There’s always something new to discover,” he says. “Jimi recorded so much in such a short time – he was always trying new things. I wouldn’t say there’s a complete, unreleased album, but there are unheard versions and fragments.”