Latest about Djs
"He'd turned the equipment on and was mixing – he was only 2 years and 10 months old”: Meet the world’s youngest DJ
Meet the world's youngest DJ
DJ Mustard says it took him "approximately 30 minutes" to make the beat for Kendrick Lamar's Not Like Us
"I didn't know he was gonna gas that beat like that"
“Never thought I’d be DJing in a carriage”: Nia Archives to perform on a train to Glastonbury
Enjoy a “100mph mini-festival” in the company of the rising UK drum ‘n’ bass star
“I'm almost ashamed to be known as a DJ”: Dave Clarke on the state of dance music and Archive One
The Baron of Techno on making his seminal album, how he approaches remixes and why ‘90s sounds are back in fashion
“This is insane - all my tracks are double the tempo”: Grimes’ Coachella set is thrown into chaos due to “technical issues”
“Just don’t blame me - it’s not my fault,” she told the crowd. “Well, it’s partially my fault. But not entirely my fault”
Scanner: "When I'm mixing, I play a kind of sonic Jenga"
Electronic artist, producer, gear explorer, film composer, and modular master Robin Rimbaud has been releasing music as Scanner and other acts for more than four decades. Here, he gives us a more electronic expert viewpoint on what separates a demo from the finished article…
Orbital on recording The Green Album: "We didn’t have multi-tracking equipment, so we’d get everything working and just run it out live. Any manipulation or synth magic would happen as it was going down - if you didn’t like it, you’d do it again"
Phil and Paul Hartnoll talk us through the debut album that started it all, track by track
“We don’t think we’ve ever made anything that sounds remotely like this track before”: Justice enlist Miguel and an E-MU synth guitar sound on new single, Saturnine, and confirm the full tracklisting and list of collaborators for new album, Hyperdrama
“We love Miguel’s voice when it’s raw. We wanted him to sound outrageously frontal”
Jeff Mills: “I’m waiting for instrument makers to make that simple piece of gear that does that one thing brilliantly… just like a 303. There’s no sound like it”
We caught up with electronic music-maker extraordinaire Jeff Mills prior to his appearance at this year’s CRSSD Festival, appropriately enough on 303 Day. Hamish Mackintosh spoke with The Wizard himself…
“Success is something that you attract, not something that you try to chase or catch”: Skrillex offers advice to young music makers as he accepts the Best Dance/Electronic Recording Grammy for Rumble, with Fred Again and Flowdan
The producer says that they weren’t trying to make a hit, but to “push culture forward”