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November 2018
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203 articles
- November 30
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- Me in my studio: Transcode
- Gibson debuts Alpine White BB King Lucille ES-355 guitar
- Get closer to your music software with Nektar’s T-Series controllers
- Watch Steve Vai, Yngwie Malmsteen, Nuno Bettencourt and Zakk Wylde play Bohemian Rhapsody
- PRS goes maple on maple with new limited-edition SE Custom guitars
- Korg’s Electribe Wave app gets drum sample import and Ableton Live Project export
- Collings unveils C100 parlour acoustic guitars
- FabFilter Pro-Q 3 lands with Dynamic EQ, surround support and more
- Mia Wallace: “With Niryth, it is absolutely essential to play five-string bass”
- Historic hardware: Fender's blonde electric guitars
- Easy guitar theory: Aeolian mode
- Modal Electronics is walking in a wavetable wonderland with the portable CRAFTsynth 2.0
- November 29
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- MusicRadar hands-on: Headrush Gigboard
- Stop all the clocks: someone has created the world’s first Synthwatch
- Give your Kemper a makeover with Zilla Cabs’ KPA head shells
- Mark Menghi: “I just can’t get away from my Fender. It’s like a third arm for me”
- This legendary ‘Led Zeppelin recording console’ is up for sale, but you probably can’t afford it
- November 28
- November 27
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- Pagano’s 10 career-defining tracks
- Improve your drum kit timing and note spacing
- You can create sharp visuals for those live sets with the Roland Beat Sync Maker app
- How to build an 8-knob powersynth from scratch in Ableton Live
- More than a percussion pad, the Alesis Strike MultiPad is also a sampler, looper and audio interface
- November 26
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- Billy Corgan: “Paint colour actually changes the sound of a guitar”
- Guitar Center announces limited-edition Chapman ML3 Pro Semi-Hollow
- Suzy Starlite: “My job is to be the custodian of the groove”
- One for the road - Rich Robinson: “I think there’s enough pandering in the world... We’re ‘entertained to’ enough”
- Behind the drums - Mark Pusey: "It’s about having more skills than you need for the job"
- Realise your creative potential with Yamaha’s MODX synth
- The 5 best new electronic percussion products of 2018
- The 8 best studio session drummers in the world right now
- The 12 best live session drummers in the world right now
- The 10 best new drummers in the world today
- The 7 best drum innovations of 2018
- The 7 best new drum hardware products of 2018
- The 4 best new drum heads of 2018
- The 9 best online drum personalities in the world right now
- The 10 best prog drummers in the world right now
- November 23
- November 22
- November 21
- November 20
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- Mastering The Mix Animate review
- MusicRadar hands-on: Hughes & Kettner Black Spirit 200 demo
- Sterling By Music Man Valentine JV60 review
- How to make macro assignments that matter
- Audient iD4 - ideal for songwriters
- 6 essential tips for recording acoustic guitar
- Joyo launches R series with new Tauren overdrive pedal
- The Kenton Pro Solo MIDI-CV converter is back and every hardware synth-owner should have one
- Sononym Sononym review
- Cort goes low with nicely priced, EMG-equipped KX257B Baritone seven-string guitar
- 10 questions for Kee Marcello: “I played a festival and someone threw a hand grenade on stage!”
- 6 guitar tricks you can learn from Michael Schenker
- Chase Bliss Audio invites you into its Dark World with new dual-channel reverb pedal
- How to be more creative behind the drum kit
- November 19
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- Learn some killer rock and blues speed licks with renowned guitarist Kris Barras
- Eventide lifts the lid on Spicy HotSawz Synth for H9 effects pedal
- Wampler unleashes “in-your-face, do-it-all” Fuzztration octave fuzz
- ADPTR Metric AB review
- Guitar round table - Supersonic Blues Machine: "The blues appears very simple on first glance, but there are some real complexities to this artform"
- Slade's Jim Lea: “I got the job because I didn’t play like a bass player”
- Behind the drums - Sevendust's Morgan Rose: "The amount of trust we gave to people was stupid"
- November 16
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- Sequential is saying goodbye to the Prophet 12 synth, but it’s not going quietly
- The FX files: Boss DS-1
- One for the road - Steve Hackett: "Songs only become classic with the passing of time"
- Angel Vivaldi's top 5 tips for guitarists: "If you can’t write a riff or a song, you can play guitar until you are blue in the face and it will be for nothing"
- Jacob Plant: 5 things I’ve learned about music production
- ESP announces James Hetfield Signature LTD Snakebyte SE Baritone
- Friedman announces BE-OD Deluxe and Golden Pearl overdrive pedals
- November 15
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- HeadRush FRFR-112 review
- Fender EU Master Design '69 Stratocaster review
- Improve your acoustic folk guitar playing in 20 minutes
- Mai Leisz: “The notes you don’t play can be more important than the ones you play”
- PreSonus’s Atom MIDI pad controller is here, and can be used for production and performance
- Boss wants to “modernise the tube amp experience” with the Waza Tube Amp Expander
- Elton John's inspiring John Lewis Christmas ad will bring a tear to your eye
- Issue 338 of Future Music is on sale now
- Boss unveils Nextone guitar amps with “next-generation tonal diversity”
- Me and my guitar: Hannah Trigwell
- Robert Plant bassist Billy Fuller: “Robert came in with a ’71 Precision... he was jumping up and down shouting that it was amazing”
- Tosin Abasi’s Pathos overdrive pedal is “several dirt boxes in one”
- Best in music tech 2018
- November 14
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- Mesa/Boogie Fillmore 50-watt 1x12 Combo review
- Mackie Onyx Producer 2.2 review
- Cubase 10 is here and Steinberg has been listening to your update requests for its flagship DAW
- Gretsch Streamliner G2420T-P90 Limited Edition Hollow Body review
- Novation SL MkIII review
- NI Maschine Mikro Mk3 review
- Fender EU Master Design '56 Stratocaster review
- Bogner distills the Ecstasy into Red and Blue Mini pedals
- You can now get PreSonus’s Studio One on Splice’s Rent-to-Own scheme
- Wylde Audio unveils 3 striking new limited-edition guitars
- Mike Krompass: "Listening to the other players is way more important than being an amazing player yourself"
- Waves swaps plugins for hardware as it announces an optimised music-making PC
- November 13
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- Rhythm Tech Cajon review
- PRS S2 Studio review
- NAMM 2019: PRS unveils first wave of 2019 electric and acoustic guitars
- Albert Hammond Jr is selling his Strokes-played Fender DeVille amps for charity
- Yamaha MODX Series keyboards review
- Mooer debuts two more Micro Preamps, the UK Gold PLX and Blueno
- Fender EU Master Design '53 Telecaster review
- 5 minutes alone - Rich Robinson: “All of my gear was destroyed in Hurricane Sandy in 2012. I lost 70 guitars”
- Get the 4x12 look without the weight with Zilla Cabs' Mini Stack 1x12s
- How to develop drumming limb independence
- November 12
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- Evetts Snare Drums review
- British Drum Co Ltd Edition Wild Etimoe Lounge Kit review
- Walrus Audio Defcon4 review
- iZotope RX 7 review
- Ableton and Native Instruments have signed up to help shape the future of MIDI
- Gretsch Streamliner G2655TG-P90 Center Block Jr review
- Bram Bos turns to the dark side with the Ruismaker Noir iOS rhythm synth
- Classic gear: Gibson Les Paul Junior
- Producer Howard Benson works with STL Tones to put his signature guitar sounds in a plugin
- Nanolog Audio employs quantum physics for all-new carbon clipping-based pedals
- Marshall and Amazon’s Alexa join forces to put some rock ‘n’ roll into the smart home
- November 11
- November 10
- November 9
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- Nick Mason’s Saucerful Of Secrets: “I’d like to recreate the idea of improvising; we won’t play the same thing again and again”
- Native Instruments Komplete Kontrol A-Series review
- DSM Noisemaker's OmniCabSim Mini is a tiny power amp and cab sim
- Morley celebrates 50th anniversary with limited-edition chrome pedal bundle
- How to program a classic cinematic synth lead sound
- Mogwai's career in gear: "We've got drawers full of pedals and we'll just try them until something sounds good"
- How to program a Prophet-5-style synth
- November 8
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- Universal Audio announces UAD 9.7 with new Softube vocoder plugin and much more
- Get a slice of fresh Flying V-fuelled dual-guitar doom-metal with this crushing Khemmis playthrough
- The legendary Lexicon 480L digital reverb officially comes to UAD 9.7
- Black Friday guitar deal: Get 10% off all Fender guitars, amps and accessories
- Laurence Cottle: “30 years later, I still hear people saying, ‘I’ve never seen five strings on a bass before’”
- Hear the story of three guitars that changed the world with Seven Decades
- The London Drum Show 2018 is this weekend, if you're a drummer you don't want to miss it!
- 10 classic synth FX... and how to create them
- How to strip back a synth preset to make it more usable
- How to make classic '80s wavetable synth sounds
- EarthQuaker Devices unearths Black Ash Endangered Fuzz
- 9 cutting-edge synth tricks to try
- How to play guitar like Alice In Chains
- Review round-up: affordable eight-string electric guitars
- November 7
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- Me in my studio: Ishmael Ensemble
- Grammy winner Dave Darlington and Waves are offering you a free music production and mixing course
- The Really Useful Chord Progression Poster could look great on your studio wall
- Tone makers - Strymon's Pete Celi: "Our philosophy has been to design pedals without compromise"
- 10 ways to create monstrous big room synth sounds
- Idles: “Most of what you hear is the first or the second take. We always keep mistakes in”
- Gibson revives The Paul for its 40th anniversary
- How to create a crazy synth from a single sine wave using delay
- 5 guitar tricks you can learn from Gary Clark Jr
- 8 tips for creating an authentic cinematic synth soundtrack
- How to create an FM synth patch for free in VCV Rack
- November 6
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- Kasper Bjørke: 5 things I’ve learned about music production
- How to turn sampled waveforms into wavetables using Xfer Records' Serum
- Aguilar reckons its Tone Hammer 700 bass head is "the world’s best non-tube tube amp"
- Fender takes offset guitars to new extremes with the Meteora
- Pixies' Joey Santiago: "I was afraid people would tell me I never grew up as a guitar player... but f**k it, so what?"
- Alice In Chains' Mike Inez: "I think beat-up basses sound better, somehow"
- Ditch the laptop: How to make music with a Roland JD-Xi, Korg Minilogue and Moog DFAM
- How to build hand speed at the drum kit
- How to construct a vintage synth oscillator in software
- November 5
- November 2
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- Free IK Multimedia plugin worth €99 with Computer Music
- Do producers and DJs need music theory? We ask the pros
- Ditch the laptop: How to make music with a budget all-hardware setup
- Me and my guitar: Tommy Emmanuel
- How to build a wavetable synth voice for free in VCV Rack
- How to design an expressive synth patch for performance
- Is this audio interface in the shape of a cosmetic product the most misguided product launch ever?
- 5 minutes alone with Ritzy Bryan - "Anything goes, y’know?”
- Analogue Solutions Generator review
- November 1
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- Ditch the laptop: How to make music with an all-Elektron hardware set up
- Get creative with these track-starter tips from the pros
- Novation's Bass Station II gets a firmware update to celebrate 25 years since the launch of the original
- ARRANGE TRACKS LIKE A PRO – Computer Music issue 263 is out now!
- Roland System 500 Series Modules review
- Steppy is a 4-track, 64-step Eurorack sequencer in just 1U, with plenty of tricks up its sleeve
- Marcus Miller: "I've always hated bass solos; that's the one point when the music isn't grooving any more"
- PRS unveils limited-edition SE acoustic guitars with “super-exclusive” koa and pau ferro woods
- Dreadbox & Polyend Medusa review
- Electro-Harmonix Op Amp Big Muff review
- Line 6 Powercab 212 Plus review
- TC Electronic Ditto Jam X2 Looper Pedal review
- Kleverb is an algorithmic reverb plugin that is available for both desktop and iOS
- Double the drummer at London Drum Show 2018
- New tech gear of the month: review round-up (November 2018)
- 5 reasons you have to be at this year's London Drum Show
- Ernie Ball Music Man celebrates 25 years of the Luke with 25th Anniversary LIII
- New guitar gear of the month: review round-up (November 2018)