Name: Cort KX-Custom
Brand: Cort

MusicRadar Verdict

It may be a bit vanilla for some, but this is a great-playing slice of contemporary electric.

Pros

+
Blank canvas, tonally, so well suited to all-rounders. Versatile pickup options. Nice build quality.

Cons

-
Not great value for money.

MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.

No prizes for guessing the inspiration behind this one, but the top-end KX-Custom gives you a luxurious Bright Blue Burst-finished flame maple top and natural edge binding, locking tuners and flawless build quality.

Although the KX has a thinner body than its chunkier Z-Custom cousin, it still possesses that distinctive mahogany-maple combo, recalling PRS's Fender-meets-Gibson tonal ideals.

"There's plenty of treble bite with a healthy but not domineering bottom-end, delivering polished tones, whether clean or dirty"

We're not completely sold on the backwards Nike 'swoosh'-style inlays, but there's a lot to like.

With 24 chunky frets spread over a 648mm (25.5-inch) scale length, the KX-Custom lends itself well to lead playing, especially with that generous cutaway for upper fretting. It's a great all-rounder, and its tones are positioned slap-bang in between the Cort G280 and Z-Custom, too.

There's plenty of treble bite with a healthy but not domineering bottom-end, delivering polished tones, whether clean or dirty. They might be a little polite for some, but it's a blank canvas that accommodates any style.

Contemporary rock à la Alter Bridge? Bread and butter. Metal? The JB's mighty output will see you right. Jazz? Flick over to the toasty neck humbucker. Soul, funk, blues? That's what coil-splits are for, and while the tones are bulkier than a Strat's, they're more than up to the job.

It may be a bit vanilla for some, but this is a great-playing slice of contemporary electric. That said, the price is slightly higher than similarly versatile PRS SE Customs, so it's worth playing before investing.

Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.

“We hadn’t rehearsed. We weren’t used to playing acoustic. Even the people from MTV thought it was horrible”: A new Nirvana’s Unplugged exhibition features not only Kurt Cobain’s $6 million Martin D-18E but his green cardigan too