Oasis have been accused of nicking, borrowing - you know, ripping off - a bit of Sir Cliff Richard's 1976 hit Devil Woman on their new song The Turning.
Noel, Liam Gallagher and company posted the song on their MySpace page last week ahead of Dig Out Your Soul's release today (Oct. 6), and almost immediately, Cliff Richard fans began wriitng on the singer's website about what they say is an uncanny resemblance.
One user by the name of Rolybunny says, "This is a rip-off. What'll they do next? Remix Mistletoe and Wine?"
On the other hand, some Richard fans are elated, viewing the similarities as something of an honor for the aging pop star. Janine Castle, from the International Cliff Richard Movement, says, "I'm astounded Oasis use Cliff as their muse - but delighted. I can hear the similarities. It's about time Cliff's musical genius got some recognition."
You be the judge
This isn't the first time Oasis have been accused of borrowing from other songwriters' work. And the band aren't above outing themselves: Noel Gallagher freely admits that the riff from 1994's Cigarettes and Alcohol was based on T Rex's Get It On. And 1995's Don't Look Back In Anger is an unabashed homage to John Lennon's classic Imagine,
Even so, MusicRadar can't really get on the Cliff Richard train. True, the opening chords of The Turning are of a similar structure to those used in Devil Woman. But that's as far as it goes. The melody and chorus hook - not even close.
Check them out for yourself. Here's Cliff Richard's Devil Woman, and here's Oasis's The Turning.
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
We think a clearer case can be made for these two songs: Oasis's Step Out, released as a b-side on Don't Look Back In Anger, and Stevie Wonder's '60s smash Uptight (Everything's Alright). In fact, Wonder wound up getting songwriting credit on the Oasis cut. Not a bad way to make a buck.
Read more on Noel Gallagher's 'crafty' songwriting.
“There’s three of us playing guitar in Foo Fighters… A lot of tone details can get lost, which is what drew me to the Cleaver – that P-90 cut”: Chris Shiflett on how he found his weapon of choice with his Fender Cleaver Telecaster Deluxe
“People have used it as their wedding song. I often think, ‘Hey, did you listen to the lyrics?’”: The classic number one hit with a sting in its tail
Joe is a freelance journalist who has, over the past few decades, interviewed hundreds of guitarists for Guitar World, Guitar Player, MusicRadar and Classic Rock. He is also a former editor of Guitar World, contributing writer for Guitar Aficionado and VP of A&R for Island Records. He’s an enthusiastic guitarist, but he’s nowhere near the likes of the people he interviews. Surprisingly, his skills are more suited to the drums. If you need a drummer for your Beatles tribute band, look him up.
“There’s three of us playing guitar in Foo Fighters… A lot of tone details can get lost, which is what drew me to the Cleaver – that P-90 cut”: Chris Shiflett on how he found his weapon of choice with his Fender Cleaver Telecaster Deluxe
“People have used it as their wedding song. I often think, ‘Hey, did you listen to the lyrics?’”: The classic number one hit with a sting in its tail