Guitarist David Williams, whose recording and touring credits include Michael Jackson, Madonna, Paul McCartney, Marvin Gaye and The Temptations among countless others, died last Friday at age 58.
Williams, a native of Newport News, Virginia, was admitted to the Sentara Hospital in nearby Hampton after he suffered a stroke on 2 March. He fell into a coma and later died of cardiac arrest.
Although probably nobody outside the music industry knew his name, practically everybody on the planet heard his work thanks to his in-the-pocket playing on Michael Jackson's smash Billie Jean. Williams contributed the clean, funky strummed solo that was integral to the sound of the song,
Became a go-to LA guitarist
Having started his career at the age of 18 with The Dells, Williams went on to play with The Temptations. Real success proved elusive until he hooked up with producer Quincy Jones, who heard something in Williams' understated rhythm playing. After Jones utilized Williams' signature sound on Michael Jackson's Off The Wall and Thriller albums, Williams became one of the most in-demand LA session guitarists in the '80s and '90s.
This journalist had the pleasure of knowing Williams. As a person, he was gentle and easy-going, loved to laugh, adored pasta with mussels, and never once boasted about his success. He always referred to his guitar playing as "a little bit of secret spice. You don't need much of it, but the right amount gets the job done."
Williams is survived by four children with his ex-wife Deborah. He will be missed.
“There’s three of us playing guitar in Foo Fighters… A lot of tone details can get lost, which is what drew me to the Cleaver – that P-90 cut”: Chris Shiflett on how he found his weapon of choice with his Fender Cleaver Telecaster Deluxe
“Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects”: Keeley Electronics and Andy Timmons unveil the Halo Core – same modulated dual echo magic, simplified controls
“There’s three of us playing guitar in Foo Fighters… A lot of tone details can get lost, which is what drew me to the Cleaver – that P-90 cut”: Chris Shiflett on how he found his weapon of choice with his Fender Cleaver Telecaster Deluxe
“Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects”: Keeley Electronics and Andy Timmons unveil the Halo Core – same modulated dual echo magic, simplified controls
