Is Stomplight, a lighting rig in a stompbox, a bright idea?
Ultra-portable pizazz pedal kickstarting now
OK, so Jean Michel Jarre is unlikely to be on the waiting list and Muse's lighting boffins won't be sent scuttling back to the drawing board, but Stomplight, a diminutive lightshow-in-a-stompbox, could be just what those of us with more modest staging opportunities are looking for.
Currently raising funds for full production, the unit boasts five distinct modes, from colour wheels and mono washes to potentially more exciting, responsive mic and mixer modes. And if you do fancy a wig-out there's an adjustable stroboscopic mode that comes with an encouragingly stark health warning.
The lighting itself is provided by specialists Cree Lighting and takes the form of an adjustable LED array.
For more information, you can head over to Stomplight's kickstarter page. What do you think? Bright idea or dim non-starter?
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
I'm lucky enough to be MusicRadar's Editor-in-chief while being, by some considerable distance, the least proficient musician on the editorial team. An undeniably ropey but occasionally enthusiastic drummer, I've worked on the world's greatest music making website in one capacity or another since its launch in 2007. I hope you enjoy the site - we do.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard