When Jeremy Allen White stepped out at the Emmy Awards at the weekend, as well as being congratulated for winning his second Outstanding Lead Actor in a Comedy Series prize for his work in The Bear, he was quizzed on one of his upcoming projects: portraying Bruce Springsteen in new biopic Deliver Me From Nowhere.
While he was reluctant to spend too much time talking about a movie that hasn’t even started shooting yet, Allen White did reveal that he’s pleased to have Springsteen’s backing.
“I’ve got a really beautiful team of people helping me and Bruce has been really lovely and supportive and available, which has made this whole process an extra joy,” he told Deadline. “His support and Jon Landau, his management support, who has a large role in the film as well. So I feel really lucky.”
Based on the book of the same name by Warren Zanes, Deliver Me From Nowhere is set to tell the story of the making of Nebraska, the 1982 album that Springsteen recorded on his own using a Teac 144 Portastudio. Released in 1979, this was the machine that kickstarted a home recording revolution.
The Portastudio enabled would-be bedroom producers to record four tracks of audio on a humble cassette (two on one side of the tape and two on the other), and was available for ‘just’ $899. Admittedly, that’s about four grand in today’s money, but given that the alternative was spending many more thousands of dollars going into a recording studio, it still felt like a breakthrough, to the extent that it was deemed deserving of a slot on BBC science and technology show Tomorrow's World.
The ability to layer multiple tracks also meant that musicians could lock themselves away and work on their own, which is exactly what Springsteen did. He’s said to have used little more than a 144, some Shure SM57 mics, a Gibson J-200 acoustic guitar, a mandolin and a glockenspiel to record Nebraska, which is still considered one of his greatest albums.
Another notable user was Sting, who recorded all the demos for The Police's Zenyatta Mondatta on his 144. This ended up selling at auction for £3,200 in 2022.
If Deliver Me From Nowhere does its job right, then, the Teac 144 Portastudio may soon be introduced to a whole new generation. And, coming in the midst of a cassette revival - and with the demand for that ‘lo-fi sound’ as strong as ever - it might just spark a renewed wave of interest in old 4-tracks in general.
That said, for some people, the Portastudio never went away. In 2019, Nine Inch Nails’ Alessandro Cortini explained how he uses his old Tascam as a performance instrument, and Mac Demarco recorded his 2012 debut mini album Rock and Roll Night Club on a 244 Portastudio.
And, of course, there are countless plugins that purport to put the sound of the cassette 4-track into your DAW. Finneas revealed in 2023 that he used SketchCassette, one of the better-known emulations, on Billie Eilish’s What Was I Made For.
A release date for Deliver Me From Nowhere has yet to be confirmed, but we anticipate that it will be no earlier than late 2025.
Zoom’s LiveTrak L6 could be the ideal portable mixer and recorder for your DAWless synth jams
“That’s probably why I like underwater-sounding things. Because I grew up on 12-bit music”: Mk.gee suggests that his unique lo-fi sound is the result of being exposed to low-quality MP3s in the early days of file sharing
